Maternity, couples, boudoir, families, brand work and intimate weddings inside the cenotes. Shafts of light on still water, dark stone, deep reflections — a different kind of session entirely. [DRAFT — Alisa to review]
Open-roof cenotes like Suytun and Ik-Kil for the famous light shafts; Cenote Azul in Bacalar for couples in deep indigo; Cristalino or Yokdzonot for quieter days. We match the cenote to the session.
Sun shafts arrive in a narrow window depending on the cenote and the month. I aim our slot for the cleanest light and the fewest visitors — usually first entry or a private booking.
Edge of the pool, on the platforms, ankles in, fully in — your call. I direct gently, work with the available light and a soft fill where it helps.
It depends on the session and the time of year. Suytun and Ik-Kil are famous for the light-shaft hour. Cenote Azul in Bacalar is a deep open lagoon, perfect for couples. Cristalino and Yokdzonot are quieter and great for maternity or families. Tell me your dates and what you want it to feel like, and I will suggest a shortlist.
Yes — most cenote sessions include time in the water. I keep gear safe with dry housings and shoot from the edge, the platform or the water itself depending on the look you want.
Yes, with the right cenote and a calm plan. We pick a cenote with easy steps and shallow areas, keep movements gentle, and bring towels and warm layers for after. Always confirm with your doctor first.
No — cenotes are darker than open beach, but that is part of the look. I shoot with fast lenses and use the natural shafts of light or a soft fill where helpful. The edited gallery comes out atmospheric, not muddy.
Two distinct visual languages — choose the one that feels like the memory you want to keep.

Elegant. Clean. Naturally lit. Lightly editorial. Polished storytelling with classic emotional imagery — the photographs you’ll print and frame.

Film-inspired. Immersive. Grain, movement, dramatic light. Imperfect moments and atmospheric framing — memories that feel like a film.
Tell me a little about who'll be in front of the camera, where, and when. I reply within 24 hours — usually faster.